Sunday, August 17, 2014

"Don't grow up too quickly,

lest you forget how much you love the beach.  ~ Michelle Held
There was a time pre i-phones, i-pads, kindles, nooks, etc etc etc when everyone went to the beach to relax and enjoy sun, sand, and ocean.  Now there is probably an app for that!  But, from days gone by...the sand pail or bucket...
The buckets in stock are from the T.Cohn company founded about 1900 by Tobias Cohn. The company made many tin litho toys such as the sand pail.
They also produced the noisemakers that show up around Halloween and New Year's...
The first "playset" type item made by T.Cohn was a doll house in 1948. During the Korean War in the 1950s plastic was in short supply and the Lido Toy Company supplied T.Cohn with many plastic figures for their playset line. The term superior was used as a brand name for the T.Cohn company.

I confess that I had a gas station like this...do not know what brand, but I did love that station and the cars.
The company also produced dollhouses...
 This fort seems to be a big seller on etsy and ebay...
In researching the company, I found they were sued for copying a toy machine gun design and undercutting the price...that is 1949...half a century plus, copying goes on all the time...not to mention price cutting...lots of luck taking someone to court!
I am constantly reminded through one little item...like the sand pail...how much life has changed.  Plastic is the material of choice for sand toys now...heaven forbid a tin dollhouse or fort!  Ever wonder how the baby boomers survived with sharp edges or little plastic cowboys and Indians!
 But, if you want a true beach collectible...we have a couple of the Cohn sand pails...


“No one ever forgets a toy that made him or her supremely happy as a child, even if that toy is replaced by one like it that is much nicer.”  ~ Stephen King - The Eyes of the Dragon     

Sunday, August 10, 2014

"I quite like antiques.

I like things that are old and the history they bring with them. I would rather fly to Morocco on an $800 ticket and buy a chair for $300 than spend $1,100 on one at Pottery Barn." 
                   ~Walton Goggins
Our opening quotation today comes from a 40 something actor and filmmaker, and I think the idea is probably more the exception than the rule in today's millennial consumer market.  So many people from other areas of the country have mentioned that small shops like mine have closed, and it is possible that the brick and mortar - like the newspaper...yes, real paper - may be headed the way of the landline and the milkman.  But, E-commerce continues to lure shoppers...at least shoppers who have money or credit!  BUT!  For those who still like to roam and see things in person instead of "pinteresting" themselves to the I-pad, let us consider some pottery.  If you have been in my shop, you know that McCoy is a favorite of mine, but there is another McCoy partner...Brush Pottery.
The Brush Pottery Company was founded in Zanesville, Ohio,in 1906, by George Brush, and its early history is closely tied to a better-known name in pottery, McCoy. The first Brush Pottery lasted only a few years until it burned down, and George Brush went to work for the J. W. McCoy Pottery Co. In 1911, the two companies merged and became the Brush-McCoy pottery, and soon after, J.W.'s son Nelson McCoy founded his own pottery as well. After J.W.'s death, Nelson McCoy continued to be involved in the Brush-McCoy pottery until he resigned in 1918. The Brush-McCoy Pottery Co. was in existence for only 14 years.  On December 9, 1925, it became the Brush Pottery Co.  The “McCoy” name was dropped and the pottery became known as Brush Pottery, but McCoy went on to develop its own history. Brush did survive until 1982, but like so many American companies, it obviously could not survive in the Chinese dominated retail world.
 
In researching Brush, I found some interesting designs...like built in frogs in the console bowls - this one is in the shop
...and in Warman's guide, pictures show actual "frog" frogs in bowls! 
The older pottery does have the look of the early McCoy pieces.
The company made many figural and animal planters, and not all marked, but a distinctive feature is that Brush planters and vases often rest on two unglazed feet.

So, if you are out and about and see a piece marked Brush or unglazed feet (and they are not yours), you now know a little about that company.
 
“Buy what you don’t have yet, or what you really want, which can be mixed with what you already own. Buy only because something excites you, not just for the simple act of shopping.” 
                    ~Karl Lagerfeld.

Sunday, August 3, 2014

"Not everything worth keeping

has to be useful.”  ~Cynthia Lord in  Rules 

The key was last week's item, and I am starting with the key again...
 
I saw this listed on Amazon for $14.97!  And it ties into today's show and tell.  I love little boxes...these are mini treasure chests from the past. 
The mini that you probably see more than others is the Lane chest.   Sometimes a little box like this more than words on a page symbolizes how much lifestyles have changed. 
The little chests date to 1925. Five years later, the firm's sales manager converted these miniatures into a great promotional idea: the company invited young women about to graduate from high school to pick up a free miniature chest at their local furniture store. By 1984 more than 15 million prospective Lane customers had received these promotional gifts.  It is hard to read even in person, but under the Lane logo is: Mainville Furniture Company - RD 3-  Rt 44 Bloomsburg PA (and, yes, I looked the store up...still in business!)
Edward Hudson Lane (1891–1973) founded the company in Altavista, Campbell County, Virginia, in 1912, at a junction of the Virginian and Southern railways, which allowed for easy transportation of materials to and finished products from the factory. After struggling through the first few years, Lane's fortunes received a boost during World War I when the company won a federal government contract to produce pine ammunition boxes. To meet wartime demands, Lane introduced an efficient assembly system at its factory. When the plant reconverted to the peacetime production of cedar chests, workers and management were able to adopt some of the mass production methods they had learned during the war emergency. Reaching new heights of production and prosperity in the 1920s, Lane began to advertise its products nationally.
These advertisements sought to equate the ideal of domesticity with a Lane "Hope Chest," in which a young woman stored clothing or home furnishings in anticipation of marriage. This was summed up in the company's tag line: "The gift that starts the home."

Lane advertisements reached a high point during World War II, persuading thousands of GIs leaving for overseas to purchase a Lane Hope Chest for the sweethearts they were leaving behind. Ads combined romantic images of men in uniform and their fiancees with patriotic slogans and the well-known face of national spokeswoman, and symbol of all things American, Shirley Temple.
In the 1950s Lane added a number of new product lines to its repertoire, including television cabinets manufactured for General Electric and occasional tables. These were followed in the 1960s and 1970s by new lines of bedroom furniture and recliners.

In 1987 Interco Corporation purchased the Lane Company in a hostile takeover. After Interco's successor, Furniture Brands International, filed for bankruptcy in 1992, the Lane facility in Altavista became one of the company's divisions slated for transfer abroad. The last Lane cedar chest to be manufactured in the United States rolled off the production line in the summer of 2001, and the plant closed for good, but the "Lane" company seems to still exist...from their web site..."Lane Furniture Industries is owned by Furniture Brands International which also owns other well known brand name companies... Broyhill, Thomasville, Drexel Heritage and Maitland Smith."  They also come up under the umbrella of the Heritage Home Group, but it really is hard to decipher what is made where.
 
For those who have the old large Lane chests--or if you are a reseller, there is a serious concern about the old style latches on all “Lane” and “Virginia Maid” brand cedar chests manufactured between 1912 and 1987, and they  need to be replaced. Chests can be identified by the brand name “Lane” or “Virginia Maid” located inside the cedar chest.  These chests are often handed down through families or purchased second-hand.  I saw this while I was researching for the article, and I thought it was important enough to copy and paste here.
From the recall site, "Consumers should immediately remove the latch from Lane/Virginia Maid cedar chests and contact Lane to receive new replacement hardware. This new hardware is easy to install by consumers in their homes and does not automatically latch shut. For certain chests made between 1912 and 1940, consumers will receive hardware that does not latch. For chests made from 1940 to present, consumers will receive hardware that does not automatically latch when closed and requires a person outside the chest to latch and lock the lid. If you own a similar hope chest or cedar chest that is not part of the recall, disable or remove the latch/lock.  Contact Lane toll-free at (800) 327-6944, Monday to Friday from 7 a.m. to 6 p.m. CT, or access their web site at http://www.lanefurniture.com/ to order the free replacement hardware. Consumers should have the chest's serial and style numbers, which are branded on the outside bottom or back of the chest, available when contacting Lane."

Even though Henri Cartier-Bresson is talking about the camera, I think this works for little treasure boxes also...“The creative act lasts but a brief moment, a lightning instant of give-and-take, just long enough for you to level the camera and to trap the fleeting prey in your little box.”


Sunday, July 27, 2014

"Life is rather like a tin of sardines-

we're all of us looking for the key.”  ~Alan Bennett

"Someone's sweet, old tasteful Granny died..."   That was a comment that I saw on Facebook posted in response to a photo of Limoge plates that someone purchased at a Goodwill.  I guess only tasteful little old ladies had pretty things?  But, why does it not compute that the antique/vintage world is merely recycling?  The same day that post showed up Country Living had a list of things to buy at thrift stores or yard sale:  Cast iron,  Solid wood furniture, Tools, Jewelry, Kids' toys, Picture frames, Leather bags, Plates, glasses and silverware.   The responses to that were even better..."Seriously ?!?!?! Not a chance! Sometimes other people's junk is just that JUNK"  and "Less is more and stuff is often just stuff"...and, of course, the show Hoarders that focused on the extremes (as reality TV loves to do), but it scares collectors: "Seriously, if I ALWAYS snapped up those things, I'd have a very real hoarding issue on my hands."                     

So what is the key to this business?  Who knows?  In that spirit then, let's just look at keys--and they don't take up much room either! (Hey! I can transition--actually I had a customer searching for keys to collect and that was the firestarter here!)  Keys and locks go back to ancient Babylon and Egypt over 6000 years ago.  They were wooden with small pins, and  by using wooden toothbrush-shaped keys, Egyptians could lift those small pins and unlock the blot. Sadly, this design had several disadvantages – both lock and key were made from wood (material that is very susceptible to external brute-force attacks) and the key itself was very bulky and heavy. The oldest examples of these ancient locks were found in ruins of the Assyrian palace of Khorasabad, in a biblical city of Nineveh dating to 704 BC.
The next evolution of keys came from ancient Roman engineers and inventors who used iron and bronze and created much stronger and smaller locks with keys that were light enough to be carried on person. Roman locks, too, were an improvement on the Egyptian model. 'Wards' were developed – projections inside the lock which demanded a corresponding 'bit' on the face of the key. Only the key with the correct slots for the projections to pass through would be able to rotate and throw the bolt.
Astonishingly, locks changed little over the following 1,700 years. Warded locks were actually quite easy to pick – given a tool that could clear the projections and a bit of patience – but efforts were made more to confuse or confound the lock picker rather than to re–engineer the lock. Keys were made exquisitely complicated and very ornate. Keyholes were obscured so lock pickers couldn't easily identify them, and dummy keyholes were designed to waste an intruder's time.
As far as the form of the keys was concerned, one great invention changed their look forever. According to my research, the introduction of wards into locks shaped the keys from large flat structures with pins on their end to the look of what we call today the “Skeleton key” – simple cylindrical shaft that has one single, thin and rectangular tooth (or bit). This design continued to be used for 17 centuries after the fall of Roman Empire, receiving only minor update in their looks (during all that time locksmiths were more focused on deceiving the thieves or making their work more tedious than innovating new safeguarding mechanisms). Skeleton keys can be found even today in houses that were built before 1940s.
Modern “flat keys” were first introduced to the public by Linus Yale, Sr and Jr. in mid 1800s. By using a tumbler lock and a more sophisticated way of regulating the pins, these flat keys became an instant success across entire world. They were easy to manufacture, and thanks to invention of key cutting, easy to replicate in large numbers.  (I found a flower frog makes a neat display for keys!)
Today, the majority of the locks in the world use flat keys that activate mechanisms invented in 1800s - warded locks, lever tumbler locks and pin tumbler locks.  Magnetic signatures, which are most often used in public buildings (such as hotels), government facilities, scientific labs, and similar sensitive locations are the "non-key" keys.

I can't help but wonder what locks all these keys opened...the stories they could tell...and why would someone keep a broken key ?  I bet that tale is a good one!
“It's a lot easier to be lost than found. It's the reason we're always searching and rarely discovered--so many locks not enough keys.”  ~ Sarah Dessen from Lock and Key 

Sunday, July 20, 2014

"Art is the overflow of emotion

into action.”   ~ Brian Raif 

The advantage of the small independent shop is that you get to know your customers beyond the shop and bag routine, and, in talking to one of my "regulars", I found out that she took her art into action. Traci Dunham writes children's books, and she took the initiative to find a publisher...and, as the saying goes, the rest is history!
In this computer world where people connect via texts, tweets, and pins, it is wonderful to meet someone who still believes in words on paper and illustrators who can turn those words into wonderful scenes.
The book is available online at http://www.amazon.com and at Barnes and Noble also.  The book can be found at the Whale's Tale in Cape May and the Cape Atlantic Book Company in the Cape May Mall.   She does her own marketing since she is self-published and has no agent out there promoting her.  So, if you are from the area, Traci will be signing books this Thursday, July 24 at 10:30, in the Haddonfield Library.  She will be at Rhinoceros Gamery, Activity Center, and Toy Store in Haddonfield on August 7, and on October 11 at the Collingswood Book Festival

In an interview with TURNING STONEchoice (Article here), Traci says, "I wanted to let children know that their self-worth comes from what is on the inside.  It doesn’t matter what you look like or what you do.  Beauty comes from the inside out.  Raising a daughter that is handicapped has shown me that every person has value and a purpose. I love books that have a message and too many children’s books today do not.  With so many children being bullied, I want every child to know that even though they are different it is ok."

Her next book is Lu Lu and Me, "a story of two sisters, one who is handicapped.  It is written from the point of view of the sister who is not handicapped. She talks about their differences and let’s everyone know that even though her sister is different it is ok."

I am so glad that Traci shared her talent with me.  I always love the story behind the "stuff" in my shop, but, even more rewarding, is the story behind the people who are in my shop...and as her main character Mr. Oyster says..."the beauty I have lies inside me."

Sunday, July 13, 2014

""Every person needs to take one day away.

A day in which one consciously separates the past from the future.  Jobs, family, employers, and friends can exist one day without any one of us, and if our egos permit us to confess, they could exist eternally in our absence.  Each person deserves a day away in which no problems are confronted, no solutions searched for.  Each of us needs to withdraw from the cares which will not withdraw from us.”  ~ Maya Angelou in Wouldn't Take Nothing for My Journey Now 

My main frame computer sprung a leak so to speak so I am working with my net book...and it is easy for quick hit and run work but not this type of rhetoric, so...

Sunday, July 6, 2014

"Answer July--

Where is the Bee—
Where is the Blush—
Where is the Hay?

Ah, said July—
Where is the Seed—
Where is the Bud—
Where is the May—
Answer Thee—Me—"
~  Emily Dickinson,  " Answer July"
And July it is - already!  I love the farmers' markets filled with the colors and fruits of summer.  It is always exciting in the spring to see the flats of plants, but there is something more appealing about the bounty of summer.  I have bean plants toppling over under the weight of beans, and we wait patiently for the tomato plants to produce, but luckily the farmers are ahead, and I can live off their crops.
I think of women years ago who would be canning all of the bounty of summer, and, of course, the mason jar is a mainstay.  Mason jars are still being manufactured, but they are in every vintage/antique/thrift shop!   These jars are made from soda-lime glass.  It is inexpensive, chemically stable, reasonably hard, and safe for beverages and food as well as windowpanes!  It can be remelted so that makes it ideal for recycling also.

The earliest glass jars were called wax sealers since wax was poured into a channel around the lip that held on a tin lid. This process was complicated and error-prone, but was largely the only one available for a long time and widely used even into the early 1900s.
The most popular form of seal was the screw-on zinc cap discovered by John Mason (from New Jersey--amazing how much NJ has been in the invention business) and patented on November 30, 1858, a date embossed on thousands of jars. Jars with "Patent Nov 30th 1858" were made in many shapes, sizes and colors well into the 1900s. Since they were made in such quantity and used for such long periods, many of them have survived to the present day.
Another popular closure was known as the Lightning closure, named after the first US made brand to use it, which was embossed with "Lightning" on the side. More commonly, this is often known as a bail closure, or French Kilner — it consists of a metal wire arrangement with a lever which, when pivoted downward against the side of the jar, applies leverage to a glass lid, clamping it down over a separate rubber O ring. The bail style jars are still widely used in Western Europe, in particular, France and Italy, where the two largest producers, France's La Parfait, and Italy's Bormiolli Rocco, produce the La Parfait and Fido brands respectively.
The bail jar was not as popular in the US when canning lost its appeal in the 1950s and 60s. The modern canning jar industry was developed by Ball...now Jarden...and featured easy screw tops and the National Center for Home Food Preservation discouraged use of the bail style jars.

From1860 to1900 a great many patents were issued for various jar closures. The more esoteric closures were quickly abandoned and can fetch high prices in today's antique market. Antique mason jars' values depend on the age, rarity, and condition.

The age and rarity of a jar can be determined by its color, shape, mold and production marks, and closure. Most antique jars that are not colorless are a shade of aqua known as "Ball blue," named for the prevalent jar maker. Colored jars were considered better for canning use as they block some light from reaching the food which helps to retain flavor and nutritional value longer. More rarely, jars will turn up in amber and occasionally in darker shades of green. Rarer still are cobalt blues, blacks, and milk glass jars. Some unscrupulous dealers will irradiate jars to bring out colors not original to the jar.

Even so, simple jars have gone up in price since they are gaining the attention of the younger buyers, but the clear jars are still in production, and Ball reproduced the blue jars.
I did read an interesting article -"These Mason Jar Salads Are Your New Go-To Lunch"- linked here  http://www.huffingtonpost.com/2014/06/06/mason-jar-salads_n_5452313.html .  There are recipes listed, but here is an example...
Caprese Pasta Salad

2 tbsp basil pesto (homemade or store-bought)
1 cup cherry tomatoes
1 ½ oz fresh mozzarella, chopped into bite sized pieces
2 oz cooked penne pasta
½ cup fresh spinach leaves
½ cup fresh basil, chopped

From another article,  "Despite the obvious cuteness factor, these jars will keep your greens fresher than fresh, they won’t stain, they’re BPA free, microwave and dishwasher safe, perfectly sized for salads for one, won’t leak, travel well, and are reusable...There really are only two rules to the mason jar salad: Start with the dressing or sauce, and end with the lettuce and herbs. However you want to layer the rest of the ingredients—try different meats, beans, lettuces, cheeses, vinaigrettes, or sauces—is up to you (though I usually layer by weight so heavier items, like tomatoes, are on the bottom)."

"Let my words, like vegetables, be tender and sweet, for tomorrow I may have to eat them."
~Anonymous

Sunday, June 29, 2014

"In a world where discovery is more important than delivery,

it's the people who find, remix and direct attention to old stuff that should be rewarded, not the people who deliver it or sit on it waiting for someone to show up. ~Joichi Ito

That quotation caught my attention because those of us in this "old stuff" business do a little of all of that.  The old stuff sellers are the true "green" retailers in this world.  We keep things recycling...we keep the landfills less cluttered...even the fancy auction houses are nothing more than high end consignment shops.  It is all used merchandise at this end of the retail spectrum.

The new trend is the repurpose-renew-recycle not just collect, and so this-a pallet--
can become these...made locally, by the way, by a Stone Harbor resident...
 
 
But...a woman came into my shop the other day with the ultimate repurposing piece of art...
a miniature scene in a small storage box...an old piano shaped jewelry box transformed with tidbits of repurposed miniature touches...
Gail Beers is the creator of these wonderful steampunk-themed miniatures (and a side note..we are getting in a new line of steampunk necklaces and earrings from my Texas card creator).  Anyway, I had to go to Gail's display to see more of her creations at the Open Air Market up the road this morning...isn't she cute!
 
 
So, I give you a tour of her work where the small scale makes a big impact...enjoy escaping into the mini world...and the ultimate of repurposing and recycling...like the little clock face table...
 
 The stove is an old little coffee tin...and all other little repurposed goodies...
 
 At the top left corner of this scene is a deserted wasp nest with original spider web!
 

 
 
 
 
 
 
 



 
 "...there's a reason people build miniatures. Doesn't matter if it's guys laying out model railroads or women decorating dollhouses. It's about control. It's about reinventing reality [to] get...satisfaction in creating a little world...making things turn out the way they want, at least in their dreams.”  From The Bette Davis Club ~Jane Lotter